Star Trek Into Darkness: Too many dicks on the Enterprise.

[From my Star Trek Into Darkness article at The Daily Dot.]

In 2009’s Star Trek, JJ Abrams successfully made the effort to appeal to new viewers as well as dyed-in-the-wool Trekkies. This time round, he seems to be going further afield— and alienating the original fanbase entirely.

The publicity for Into Darkness has been solidly high school: Don’t worry—it may be Star Trek, but it’s not for nerds anymore! In an interview with Jon Stewart this week, Abrams made it very clear that he’d never liked the show as a kid, because it was “too philosophical.” “I stopped listening when you said you didn’t like Star Trek,” Stewart joked. “I saw your mouth moving, so I assume you apologized.”

It’s not actually necessary for a director to be a lifelong fan if they want to make a successful adaptation. In fact, JJ Abrams’ first Star Trek movie was proof of that. But it’s another thing for an adaption to leave most of the original show’s values in the dust, which is what Into Darkness seems to be doing. The dialogue is snappy, the action sequences are fun, and the characters seem real enough, but the heart and the brain are now gone.

In 1966, Star Trek broke new ground with its international crew of hopeful explorers, scientists, and adventurers. True, the show was full of heavy-handed Cold War metaphors and casual 1960s misogyny, but its central messages were obvious: Racism is bad. Give peace a chance. That kind of thing. Men and women, Russians and Americans, aliens and humans: all could work together on a more-or-less equal footing. For many viewers, Nichelle Nichols (Lieutenant Uhura) was the first woman of color they’d seen playing anything other than a maid. Star Trek was pushing the envelope.

In 2013, not so much. [READ MORE]

Interview with Michael Kaplan, costume designer of "Star Trek" (2009) and "Star Trek Into Darkness".

I interviewed the Star Trek Into Darkness costume designer for Wired.com! You can read it here.

Since Star Trek first made its way to the big screen, its costume design has veered away from the classic color-coded uniforms in favor of experiments with red double-breasted uniforms and unfortunate flesh-colored jumpsuits. But for the 2009 J.J Abrams Star Trek reboot and its recently released sequel, Into Darkness, costume designer Michael Kaplan helped move the sartorial stylings of the Enterprise crew forwards by looking backwards–at the trusty old red, blue, and gold. It’s a comfortingly familiar detail amongst Abrams’ trademark lens flare and glowing spaceship interiors: a conscious chromatic nod to the vintage style of the original costumes.

“I wanted the film based in the ‘60s,” Kaplan told Wired. “Not literally the ‘60s, but I wanted my thinking to be grounded in the concept of the original Star Trek, almost like an homage…. I had a lot of books in my library that I’d consult: [André] Courrèges [inventor of the mini-skirt], designers like that. To keep things rooted in that, even if when you look at the movie, you don’t say, ‘Hey, this is the early 1960s.’" [READ MORE]

The evolution of the Star Trek uniform.

Just in time for the new Star Trek movie, I wrote this article for Empire Online! It follows the original series Starfleet uniform from the 1960s to the present day -- but don't worry, there aren't any spoilers for Into Darkness. You can expect a post about that sometime next week, after the US release date. :)

Even Star Trek’s most devoted fans wouldn’t dare claim that the original series was a high-budget operation. In among the cardboard sets, guest stars had to wear a selection of costumes that ran the gamut from the baffling (an evil baby in a silver lamé toga; girls in hot-pink fur bikinis) to the plain ugly. In one early episode, an entire alien species is kitted out in a vaguely familiar fabric that one later realises is also used for all the bedspreads on-board the Enterprise.

But in the original series Starfleet uniform, Star Trek struck costuming gold. [READ MORE]

How I learned to stop hating and love GOOP.

[I've been pretty busy recently, but we should be back to regular HelloTailor updates in a couple of weeks! :) In the meantime, have this article I wrote about Gwyneth Paltrow's beauteously delusional millionaire lifestyle website, GOOP.]

If the experts at People magazine are to be trusted, then Gwyneth Paltrow is currently the most beautiful woman in the world. Happily, this means that beauty now comes with a comprehensive instruction manual. Thanks to her lifestyle newsletter, GOOP, it’s possible for us mere mortals to follow Gwyneth’s own advice on how to be exactly like her—that is, perfect.

 According to its website, GOOP (cheerily named after Paltrow’s initials) is “a digital media and e-commerce company.” Its free weekly newsletter includes style tips, recipes, vacation recommendations, and miscellaneous words of wisdom from Paltrow’s rich and famous friends. The writing style is particularly intriguing—primarily first-person Paltrow, with occasional additions from a mysterious editorial “we” whenever Gwyneth wants to interview herself.

GOOP may not sound like it has much of a market aside from people who really, really like to read about quinoa and $350 yoga pants, but it’s mesmerizingly readable—mostly because of its Marie Antoinette–esque detachment from reality. It's a glimpse into a magical alternate universe where money is limitless and the most important things in life are selecting the most authentic Corsican spa for a weekend getaway and teaching one’s children to enjoy buckwheat grains. [READ MORE]

Hannibal: "Apéritif”

(Note: No major spoilers.)

Hannibal is a rare breed in that the first episode is genuinely good, mostly because there's no need for clumsy exposition. Anyone with half a brain already knows what's going on: Hannibal is a cannibal, but it will probably take at least one season  for anyone on TV to work that out. It only takes a couple of minutes to illustrate who Hugh Dancy is: a guy who frowns a lot because of Confused Emotions, and whose brain is a holodeck for blood-spattered crime scenes. Hugh Dancy means we can watch people get murdered in dramatised flashback form, instead of having some generic CSI person explain it to us with Science. 
Mads Mikkelsen is, obviously, fantastic. But for me, the harder sell was always going to be Hugh Dancy's character, criminal profiler Will Graham. Not because I'm familiar with his character (I'm not) but because the crime/mystery genre is already overflowing with cute-ish men in their 30s and 40s. Luckily Graham sidesteps the two main cliches of "asshole genius" and "dorky everyman", and is interesting enough to be a worthwhile foil to Hannibal. Still, like most stories about serial killers, Hannibal mostly features women as side characters or in the role of naked, brutalised corpses. In The Silence of the Lambs, this is less of an issue because Clarice Starling is just as important as Hannibal Lecter, but there's no real need to make a TV series about Clarice. We already know her story too well.

Mike Lunsford's "fully-dressed redesigns" of superheroine costumes @ The Daily Dot.

Supergirl may be a woman of steel, but is a red, blue, and gold cheerleader uniform really the most practical outfit for fighting crime? While many superhero costumes can be a little beyond the pale (Ben Affleck’s red pleather catsuit in Daredevil comes to mind), their female counterparts are almost always worse.

Image by Mike Lunsford/ze-tarts.

Superheroine costumes can be a major point of contention for comics fans. Wonder Woman’s red bustier and star-spangled short-shorts are iconic, but do all female superheroes need to wear a swimsuit and heels when battling the forces of darkness? NBC’s failed Wonder Woman pilot tried to redesign her suit with pants rather than a skirt or shorts, but the end result was something that looked more like a Halloween costume. [READ MORE]

Star Trek: The Motion Picture -- A costume design nightmare.

Previous Star Trek posts. 

I came to Star Trek: The Motion Picture pre-warned. Kind of. It's famous for being The Worst Star Trek (a title for which there is already some stiff competition) and I'd already heard the various nicknames: The Motionless Picture, The Motion Sickness, etc. But even that didn't prepare me for what was in store. I mean, what were they even thinking?
In fact, watching The Motion Picture, it's pretty clear what they were thinking. They were thinking, "Let's make 2001: A Space Odyssey!" Except it turns out that if you give Gene Roddenberry a quadrillion dollars and too much creative leeway, what you actually end up with is a three-hour screensaver interspersed with shots of William Shatner emoting into the middle distance. Plus music. There are whole sequences where nothing happens except kaleidoscope space-travel effects and an impressive orchestral score for minutes at a time. Come to think of it, it's probably a great movie to watch while high. Thanks, 1979.

Fight Like A Girl.

Just realised I'd posted this on Tumblr, but not on my blog! Along with a variety of cool sci-fi/fantasy/YA writers from around the world, I'm participating in the Fight Like A Girl short story anthology, a book focusing on strong female protagonists like Katniss Everdeen, Hermione Granger or Lisbeth Salander. If you're into fandom at all, you might recognise the screennames of a few of the authors involved: gyzym, jibrailis, bookshop, eleveninches, and many more!

We've already received an amazing amount of support for our Kickstarter, which has almost reached its goal of $8,300, so we only need a few more people to pledge before we can get this thing published! And we have a bunch of awesome additions we can implement if we get much funding over the original goal. 

You can pre-order the book from our Kickstarter, along with a bunch of other rewards for funding pledges. Plus, a few of the authors (including me!) are going to be on the podcast/radio show fandomspotting tonight! If you have any questions for myself or any of the authors involved, send them to fandomspotting's Tumblr askbox or tweet us @fandomspotting and we can answer them on-air! Plus we can read/answer any questions or comments sent to the show while it's still in progress. Fandomspotting's youtube channel is HERE, and we'll be on air at 7pm EST/11pm GMT.